Showing posts with label Cultural. Show all posts
Showing posts with label Cultural. Show all posts
Thursday, 7 February 2013
Haitian Cultural Club of Tallahassee | Dance Troupe | Spring 2013 | #CCGALA2013 | @HaitianCC1988 |
01:27 | 
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Haitian Cultural Club of Tallahassee | Dance Troupe | Spring 2013 | #CCGALA2013 | @HaitianCC1988 | Tube. Duration : 6.07 Mins.
The Haitian Cultural Club, also known as HCC, is a registered school organization on the college campuses of Florida A&M University (FAMU) and Florida State University (FSU). As well as having active members from both of these campuses, we also have active members at Tallahassee Community College (TCC). Plans are in place to restore HCC's status as a recognized student organization at TCC as well. In addition to student members, a number of university faculty and staff members, as well as alumni and members of the Tallahassee community at large are active members. In the past, HCC has also participated in events with HCC alumni living outside the Tallahassee area. HCC welcomes members of all ages and of all racial, ethnic, national, religious, and cultural backgrounds. Meetings and other events and activities are conducted in English, but those who wish to learn or improved their knowledge of Haitian Kreyol will find opportunities to do so. HCC provides a "Haitian home away from home" for Haitian and Haitian-American members and an opportunity for others to experience first-hand the rich and vibrant culture of Haiti. HCC offers many events and activities throughout the year. Members, prospective members, and friends are invited to participate in our many events and activities.
The Haitian Cultural Club, also known as HCC, is a registered school organization on the college campuses of Florida A&M University (FAMU) and Florida State University (FSU). As well as having active members from both of these campuses, we also have active members at Tallahassee Community College (TCC). Plans are in place to restore HCC's status as a recognized student organization at TCC as well. In addition to student members, a number of university faculty and staff members, as well as alumni and members of the Tallahassee community at large are active members. In the past, HCC has also participated in events with HCC alumni living outside the Tallahassee area. HCC welcomes members of all ages and of all racial, ethnic, national, religious, and cultural backgrounds. Meetings and other events and activities are conducted in English, but those who wish to learn or improved their knowledge of Haitian Kreyol will find opportunities to do so. HCC provides a "Haitian home away from home" for Haitian and Haitian-American members and an opportunity for others to experience first-hand the rich and vibrant culture of Haiti. HCC offers many events and activities throughout the year. Members, prospective members, and friends are invited to participate in our many events and activities.
Sunday, 6 January 2013
Cultural Property Rights of Indigenous People
10:06 |
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Cultural Property Rights of Indigenous People Video Clips. Duration : 140.58 Mins.
Human rights are rights and freedoms inherent to all human beings without discrimination on the basis of nationality, ethnic origin, gender, creed, religion, language or any other distinction. The panel discussion is designed to promote understanding and recognition of the inherent dignity and inalienable rights of all members of the human family. Moderated by Law Librarian of Congress Roberta I. Shaffer, the panel will include Helen Stacy of Stanford Law School; Betsy Kanalley of the US Forest Service; and Kelly Buchanan and Stephen Clarke of the Law Library of Congress. Stacy is a senior fellow at the Center on Democracy, Development and the Rule of Law at Stanford University's Freeman Spogli Institute for International Studies, where she coordinates the human rights program and is a scholar of international and comparative law, human rights and legal philosophy. Kanalley is assistant manager for geospatial services at US Department of Agriculture's Forest Service, where she coordinates various federal Geographic Data Committee activities within the agency and with external partners. Buchanan is a foreign law specialist at the Law Library of Congress covering Australia, New Zealand, independent Pacific Island nations, Indonesia and Malaysia. She is also a member of a team of writers for the Law Library's blog, "In Custodia Legis" (blogs.loc.gov/law/). Clarke is a senior foreign law specialist at the Law Library of Congress covering Canada, Ireland, Commonwealth ...
Human rights are rights and freedoms inherent to all human beings without discrimination on the basis of nationality, ethnic origin, gender, creed, religion, language or any other distinction. The panel discussion is designed to promote understanding and recognition of the inherent dignity and inalienable rights of all members of the human family. Moderated by Law Librarian of Congress Roberta I. Shaffer, the panel will include Helen Stacy of Stanford Law School; Betsy Kanalley of the US Forest Service; and Kelly Buchanan and Stephen Clarke of the Law Library of Congress. Stacy is a senior fellow at the Center on Democracy, Development and the Rule of Law at Stanford University's Freeman Spogli Institute for International Studies, where she coordinates the human rights program and is a scholar of international and comparative law, human rights and legal philosophy. Kanalley is assistant manager for geospatial services at US Department of Agriculture's Forest Service, where she coordinates various federal Geographic Data Committee activities within the agency and with external partners. Buchanan is a foreign law specialist at the Law Library of Congress covering Australia, New Zealand, independent Pacific Island nations, Indonesia and Malaysia. She is also a member of a team of writers for the Law Library's blog, "In Custodia Legis" (blogs.loc.gov/law/). Clarke is a senior foreign law specialist at the Law Library of Congress covering Canada, Ireland, Commonwealth ...
Cultural ties between Korea, Thracia, Bulgaria and Eastern Rome : Silla Golden Dagger 3/7
03:50 |
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Cultural ties between Korea, Thracia, Bulgaria and Eastern Rome : Silla Golden Dagger 3/7 Video Clips. Duration : 8.43 Mins.
황금보검 3 0:16 Very unfamiliar name ancient Thracia and whirlpool patterns of the Celts, all these things make Silla Golden Dagger more mysterious. Were the bule eyed men on the Roman glass bead the makers of it? To get any clue if Silla Golden Dagger and the ancient people in ancient Thracia had any link to each other, we are flying to Bulgaria (ancient Thracia), Eastern Europe, thousands of kms away from Korea. 0:56 To get a clue if Silla Golden Dagger and the ancient people in ancient Thracia had any link to each other, we are flying to Bulgaria (ancient Thracia), Eastern Europe, thousands of kms away from Korea. 1:14 Sofia, capital of Bulgaria We asked a Bulgarian scholar if she could find any relationship between Silla Golden Dagger and the Celts. All what I can say is that this is from the Roman period. It seems to have been made during the 4-6C, much later than the Celtic period. The Bulgarian scholar, expert in the Thracian studies says that, as the Celtic group stayed for a very short time in Thracia in the pre-historic time, there is no possibility that Silla Golden Dagger was made by the Celtic people who stayed in Thracia. Instead, she claims that Silla Golden Dagger is related with the ancient Thracian. Ancient Thracian is the oldest people of the Indo-European race. Around the 3000 BC, ethnic Thracian was formed and flourished in modern Bulgaria. 2:56 The Thracian is the people who flourished during 3000 BC and 5C in the Black sea region. We are trying to ...
황금보검 3 0:16 Very unfamiliar name ancient Thracia and whirlpool patterns of the Celts, all these things make Silla Golden Dagger more mysterious. Were the bule eyed men on the Roman glass bead the makers of it? To get any clue if Silla Golden Dagger and the ancient people in ancient Thracia had any link to each other, we are flying to Bulgaria (ancient Thracia), Eastern Europe, thousands of kms away from Korea. 0:56 To get a clue if Silla Golden Dagger and the ancient people in ancient Thracia had any link to each other, we are flying to Bulgaria (ancient Thracia), Eastern Europe, thousands of kms away from Korea. 1:14 Sofia, capital of Bulgaria We asked a Bulgarian scholar if she could find any relationship between Silla Golden Dagger and the Celts. All what I can say is that this is from the Roman period. It seems to have been made during the 4-6C, much later than the Celtic period. The Bulgarian scholar, expert in the Thracian studies says that, as the Celtic group stayed for a very short time in Thracia in the pre-historic time, there is no possibility that Silla Golden Dagger was made by the Celtic people who stayed in Thracia. Instead, she claims that Silla Golden Dagger is related with the ancient Thracian. Ancient Thracian is the oldest people of the Indo-European race. Around the 3000 BC, ethnic Thracian was formed and flourished in modern Bulgaria. 2:56 The Thracian is the people who flourished during 3000 BC and 5C in the Black sea region. We are trying to ...
Sunday, 30 December 2012
Moroccan Vocalist, Karima Skalli, American Musicians and Cultural Exchange
07:34 |
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Moroccan Vocalist, Karima Skalli, American Musicians and Cultural Exchange Video Clips. Duration : 8.03 Mins.
Moroccan Vocalist Karima Skalli who performs both Classical Arabic titles such as esmahan, farid al attrach, oum khaltoum, fairouz and others and Moroccan Andalusian songs has been performing in the US with the Multicultural Mesto. Orchestra. The orchestra is comprised of American professional musicians with diverse ethnic backgrounds who are able to perform Arabic and other Middle Eastern Music thanks to compositions by maestro Nabil Azzam who has made it possible for musicians who have not grown up with the music to be able to perform the music in such a high level. In this documentary, Karima Skalli speaks about the Mesto orchestra and performs a classical Oum Kalthoum song at the Detroit Max Fisher Music center for the Arab American National Museum Gala.
Moroccan Vocalist Karima Skalli who performs both Classical Arabic titles such as esmahan, farid al attrach, oum khaltoum, fairouz and others and Moroccan Andalusian songs has been performing in the US with the Multicultural Mesto. Orchestra. The orchestra is comprised of American professional musicians with diverse ethnic backgrounds who are able to perform Arabic and other Middle Eastern Music thanks to compositions by maestro Nabil Azzam who has made it possible for musicians who have not grown up with the music to be able to perform the music in such a high level. In this documentary, Karima Skalli speaks about the Mesto orchestra and performs a classical Oum Kalthoum song at the Detroit Max Fisher Music center for the Arab American National Museum Gala.
De Rompe y Raja Cultural Association EDF Audition 2011
07:00 |
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De Rompe y Raja Cultural Association EDF Audition 2011 Video Clips. Duration : 8.95 Mins.
We describe the Zamacueca as the Mother Dance of the Americas because it has spawned an infinite number of folkloric "children" in Latin America, including the Marinera of Peru, Zamba of Argentina, the Cuecas of Chile and Bolivia, the Chilena of Mexico, and early California dances of the gold rush era. It is living proof that America has had a multicultural identity that is still manifests itself today. Over time, the Zamacueca has been a motif of celebration, gallantry, romance, independence, identity, struggle, and academic research. Above all, it has always been a unifying force throughout Latin America. The Zamacueca has its principle roots in the Fandango of 16th-century Spain. This Embryonic dance form, which was first imported to the coastal area of Peru, has been reinvented many times. In Peru, the Zamacueca is today called "Marinera de Lima." It is our national dance that, while representing Peru, also emphasizes the authoritative role of women. Our composition pays tribute to the legacy left in Peru by women of African descent. "MUJER NEGRA" Credits Musicians Rosa Los Santos, Lead Vocals Daniel Zamalloa, Guitar Jose Roberto Hernandez, Guitar & Chorus Javier Trujillo, Guitar Federico Zuñiga, Bass Pedro Rosales, Cajon Repicador & Guapeo Javier Nunton, Cajon Base Michaelle Goerlitz, Congas David Rodriguez, Cow-Bell Miguel Sisniegas, Donkey's Jaw 1 Jorge Colaizzo, Donkey's Jaw 2 & Guapeo Mariela Herrera, Chorus & Guapeo Roxana Ferreyra, Guapeo Gabriela Shiroma ...
We describe the Zamacueca as the Mother Dance of the Americas because it has spawned an infinite number of folkloric "children" in Latin America, including the Marinera of Peru, Zamba of Argentina, the Cuecas of Chile and Bolivia, the Chilena of Mexico, and early California dances of the gold rush era. It is living proof that America has had a multicultural identity that is still manifests itself today. Over time, the Zamacueca has been a motif of celebration, gallantry, romance, independence, identity, struggle, and academic research. Above all, it has always been a unifying force throughout Latin America. The Zamacueca has its principle roots in the Fandango of 16th-century Spain. This Embryonic dance form, which was first imported to the coastal area of Peru, has been reinvented many times. In Peru, the Zamacueca is today called "Marinera de Lima." It is our national dance that, while representing Peru, also emphasizes the authoritative role of women. Our composition pays tribute to the legacy left in Peru by women of African descent. "MUJER NEGRA" Credits Musicians Rosa Los Santos, Lead Vocals Daniel Zamalloa, Guitar Jose Roberto Hernandez, Guitar & Chorus Javier Trujillo, Guitar Federico Zuñiga, Bass Pedro Rosales, Cajon Repicador & Guapeo Javier Nunton, Cajon Base Michaelle Goerlitz, Congas David Rodriguez, Cow-Bell Miguel Sisniegas, Donkey's Jaw 1 Jorge Colaizzo, Donkey's Jaw 2 & Guapeo Mariela Herrera, Chorus & Guapeo Roxana Ferreyra, Guapeo Gabriela Shiroma ...
Thursday, 27 December 2012
SOY Keita - The Bio Cultural Origins of Egypt - Part 4
22:00 |
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SOY Keita - The Bio Cultural Origins of Egypt - Part 4 Video Clips. Duration : 9.60 Mins.
Shomarka Omar Yahya MD, DPhil., née Jon Derryll Walker, is an African American physician and anthropologist. He is affiliated with the National Human Genome Center of Howard University and the Department of Anthropology of the Smithsonian Institution. He has been interested in the origins of the concepts of race, the misconception of human variation as race, and the scientific approaches to the biocultural origins and histories of indigenous African peoples. In this 6 Part Lecture Keita speaks on the "Bio-Cultural" Origins and aspects of the Ancient populations of the Nile Valley. He includes details on the Afro-Asiatic Language Family, Genetics of the P2 Clade, Skull Measurements and Limb Proportions. ENJOY! All comments are welcomed, inappropriate comments will be removed.
Shomarka Omar Yahya MD, DPhil., née Jon Derryll Walker, is an African American physician and anthropologist. He is affiliated with the National Human Genome Center of Howard University and the Department of Anthropology of the Smithsonian Institution. He has been interested in the origins of the concepts of race, the misconception of human variation as race, and the scientific approaches to the biocultural origins and histories of indigenous African peoples. In this 6 Part Lecture Keita speaks on the "Bio-Cultural" Origins and aspects of the Ancient populations of the Nile Valley. He includes details on the Afro-Asiatic Language Family, Genetics of the P2 Clade, Skull Measurements and Limb Proportions. ENJOY! All comments are welcomed, inappropriate comments will be removed.
Wednesday, 26 December 2012
Moroccan Vocalist, American Musicians, Arabic Music and Cultural Exchange
04:32 |
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Moroccan Vocalist, American Musicians, Arabic Music and Cultural Exchange Tube. Duration : 9.58 Mins.
Moroccan Vocalist Karima Skalli who performs both Classical Arabic titles such as esmahan, farid al attrach, oum khaltoum, fairouz and others and Moroccan Andalusian songs has been performing in the US with the Multicultural Mesto. Orchestra. The orchestra is comprised of American professional musicians with diverse ethnic backgrounds who are able to perform Arabic and other Middle Eastern Music thanks to compositions by maestro Nabil Azzam who has made it possible for musicians who have not grown up with the music to be able to perform the music in such a high level. In this documentary, Karima Skalli speaks about the Mesto orchestra and performs a classical Oum Kalthoum song at the Detroit Max Fisher Music center for the Arab American National Museum Gala.
Moroccan Vocalist Karima Skalli who performs both Classical Arabic titles such as esmahan, farid al attrach, oum khaltoum, fairouz and others and Moroccan Andalusian songs has been performing in the US with the Multicultural Mesto. Orchestra. The orchestra is comprised of American professional musicians with diverse ethnic backgrounds who are able to perform Arabic and other Middle Eastern Music thanks to compositions by maestro Nabil Azzam who has made it possible for musicians who have not grown up with the music to be able to perform the music in such a high level. In this documentary, Karima Skalli speaks about the Mesto orchestra and performs a classical Oum Kalthoum song at the Detroit Max Fisher Music center for the Arab American National Museum Gala.
Tuesday, 25 December 2012
SOY Keita - The Bio Cultural Origins of Egypt - Part 3
22:16 |
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SOY Keita - The Bio Cultural Origins of Egypt - Part 3 Video Clips. Duration : 9.60 Mins.
Shomarka Omar Yahya MD, DPhil., née Jon Derryll Walker, is an African American physician and anthropologist. He is affiliated with the National Human Genome Center of Howard University and the Department of Anthropology of the Smithsonian Institution. He has been interested in the origins of the concepts of race, the misconception of human variation as race, and the scientific approaches to the biocultural origins and histories of indigenous African peoples. In this 6 Part Lecture Keita speaks on the "Bio-Cultural" Origins and aspects of the Ancient populations of the Nile Valley. He includes details on the Afro-Asiatic Language Family, Genetics of the P2 Clade, Skull Measurements and Limb Proportions. ENJOY! All comments are welcomed, inappropriate comments will be removed.
Shomarka Omar Yahya MD, DPhil., née Jon Derryll Walker, is an African American physician and anthropologist. He is affiliated with the National Human Genome Center of Howard University and the Department of Anthropology of the Smithsonian Institution. He has been interested in the origins of the concepts of race, the misconception of human variation as race, and the scientific approaches to the biocultural origins and histories of indigenous African peoples. In this 6 Part Lecture Keita speaks on the "Bio-Cultural" Origins and aspects of the Ancient populations of the Nile Valley. He includes details on the Afro-Asiatic Language Family, Genetics of the P2 Clade, Skull Measurements and Limb Proportions. ENJOY! All comments are welcomed, inappropriate comments will be removed.
Sunday, 23 December 2012
SOY Keita - The Bio Cultural Origins of Egypt - Part 2
02:04 |
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SOY Keita - The Bio Cultural Origins of Egypt - Part 2 Tube. Duration : 9.60 Mins.
Shomarka Omar Yahya MD, DPhil., née Jon Derryll Walker, is an African American physician and anthropologist. He is affiliated with the National Human Genome Center of Howard University and the Department of Anthropology of the Smithsonian Institution. He has been interested in the origins of the concepts of race, the misconception of human variation as race, and the scientific approaches to the biocultural origins and histories of indigenous African peoples. In this 6 Part Lecture Keita speaks on the "Bio-Cultural" Origins and aspects of the Ancient populations of the Nile Valley. He includes details on the Afro-Asiatic Language Family, Genetics of the P2 Clade, Skull Measurements and Limb Proportions. ENJOY! All comments are welcomed, inappropriate comments will be removed. Annotations: 3:45 - Just one of many reasons why its useless to separate "North Africa" from "Sub-Sahara" when there has not always been a Sahara Desert. It expanded and retracted throughout African pre-history. 4:13 - Africans have always lived Above, Within and Below the Sahara, and they continue to do so still to this day
Shomarka Omar Yahya MD, DPhil., née Jon Derryll Walker, is an African American physician and anthropologist. He is affiliated with the National Human Genome Center of Howard University and the Department of Anthropology of the Smithsonian Institution. He has been interested in the origins of the concepts of race, the misconception of human variation as race, and the scientific approaches to the biocultural origins and histories of indigenous African peoples. In this 6 Part Lecture Keita speaks on the "Bio-Cultural" Origins and aspects of the Ancient populations of the Nile Valley. He includes details on the Afro-Asiatic Language Family, Genetics of the P2 Clade, Skull Measurements and Limb Proportions. ENJOY! All comments are welcomed, inappropriate comments will be removed. Annotations: 3:45 - Just one of many reasons why its useless to separate "North Africa" from "Sub-Sahara" when there has not always been a Sahara Desert. It expanded and retracted throughout African pre-history. 4:13 - Africans have always lived Above, Within and Below the Sahara, and they continue to do so still to this day
Friday, 21 December 2012
Ethnic Diversity and the Nation State: National Cultural Autonomy Revisited (Routledge Innovations in Political Theory)
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Ethnic Diversity and the Nation State: National Cultural Autonomy Revisited (Routledge Innovations in Political Theory) |
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Ethnic Diversity and the Nation State: National Cultural Autonomy Revisited (Routledge Innovations in Political Theory)
 Ethnic Diversity and the Nation State: National Cultural Autonomy Revisited (Routledge Innovations in Political Theory)
Ethnic Diversity and the Nation State: National Cultural Autonomy Revisited (Routledge Innovations in Political Theory) Overviews This book explores a largely forgotten legacy of multicultural political thought and practice from within Eastern Europe and examines its relevance to post-Cold War debates on state and nationhood. Featuring a Preface by former UK Home Secretary Charles Clarke, it weaves theory and practice to challenge established understandings of the nation state. Eastern Europe is still too often viewed through the prism of ethnic conflict, which overlooks the region’s positive contribution to modern debates on the political management of ethno-cultural diversity, and towards the construction of a united Europe ‘beyond the nation-state’. Based on extensive archival research in Estonia, Latvia, Germany, Russia, as well as the League of Nations Archive in Geneva, this book explores this neglected multicultural legacy and assesses its significance in the post-Cold War era, which has seen the reappearance of national cultural autonomy laws in several states of Eastern Europe. Ethnic Diversity and the Nation State is invaluable reading for students and scholars of political science, history, sociology and European studies, and also for policy makers and others interested in minority rights and ethnic conflict regulation. |
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Mi'kmaq and Maliseet Cultural and Ancestral Material: National Collections from the Canadian Museum of Civilization (Mercury)
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Mi'kmaq and Maliseet Cultural and Ancestral Material: National Collections from the Canadian Museum of Civilization (Mercury)
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| Mi’kmaq and Maliseet Cultural Ancestral Material has been designed to provide images and basic information on Mi’kmaq and Maliseet artifacts held in the collections of the Canadian Museum of Civilization. Drawing on objects collected, sold, or donated between 1841 and the present day, this publication provides a fascinating look at the richness of Mi’kmaq and Maliseet cultural practice, technological ingenuity, and artistic expression. Objects such as baskets, canoes, clothing, moccasins, and tools are illustrated with a color photograph and accompanied by a brief text describing the object and its provenance. The result is a comprehensive reference tool for Native peoples, researchers, and educators. ...Read
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National Geographic Learning Reader: Cultural Identity in America (with Printed Access Card)
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National Geographic Learning Reader: Cultural Identity in America (with Printed Access Card)
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| Bring your learning to life with compelling images, media and text from National Geographic. CULTURE IDENTITY IN AMERICA will help you develop a clearer understanding of the world around you through engaging content. The fifteen articles gathered in this single-themed reader offer an exceptionally direct entree to issues surrounding identity and culture in the 21st-century United States. As the National Geographic Society's writers and photographers investigate the physical and cultural characteristics of specific locations throughout the country, they put faces on forces of assimilation, diversification, and make the multifarious realities of globalization palpable, concrete. Introducing readers to people and customs that may seem foreign, they shed new light on familiar American themes as well. ...Read
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Wednesday, 19 December 2012
The Kimchee Cookbook: Fiery Flavors and Cultural History of Korea's National Dish
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| Korea's favorite food, kim chee is a side dish made by pickling vegetables such as radishes, cabbage, and cucumbers in salt, mixing in seasonings, and allowing the mixture to mature. But kim chee means much more to a Korean. Expressing the very essence of Korean cosmology, it follows a basic code of five colors (green, red, white, black, and yellow) and flavors (salty, spicy, sour, sweet, and bitter) which in turn symbolizes universal directions, actions, and seasonal changes. Rooted in the theory of Yin and Yang, this fermented food is known as an appetite stimulant, as well as for its high vitamin C content and beneficial lactic acid microorganisms. The Kim Chee Cookingbook catalogs 90 recipes for all occasions, from traditional whole cabbage kim chee to gourmet stuffed crab shell kim chee. It also places kim chee in its historical, cultural, and scientific contexts. Illustrated with over 110 sumptuous photographs, it is a fascinating and comprehensive look into Korean cuisine and culture. ...Read
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Shen Yun - Chinese Spectacular
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Shen Yun - Chinese Spectacular Video Clips. Duration : 6.50 Mins.
www.shenyunperformingarts.org "I deal with a great number of visiting performance companies, and I can say that the show by Divine Performing Arts was the best Ive seen in all my 60 years. Prof. Chi-mao Li, National Taiwan College of Arts The dances were graceful, delicate, and beautiful! There was something pure and bright and also very dignified about them. This show gave me a real sense of goodness and meaning in life. Anna Liceica, Soloist, American Ballet Theatre Its very artistic, and you just feel nice watching it. Its hard to explain exactly what it is about it thats so beautiful. Marc Reese, trumpeter, Empire Brass Absolutely magical The gorgeous costumes, the gracefulness, the beautiful choreography, the beautiful music Its beauty from beginning to end. Everybody that I know who has seen it, everybody comes away with exactly the same opinion: Everybody says you have to see it to believe it. You cannot describe it in words; it must be experienced. Christine Walevska, cello virtuoso ...a highly professional, well thought out and beautifully produced presentation! This is not only entertainment, but a valuable cross-over cultural event: a strong, gracious gesture toward international understanding, in an all-too-troubled world. Donn B. Murphy, Ph.D., President, The National Theatre It amazed me The choreography is phenomenal, I think its the best show that I ever saw. The best. Even the backgrounds, the dancing, the choreography and the music, the singing ...
www.shenyunperformingarts.org "I deal with a great number of visiting performance companies, and I can say that the show by Divine Performing Arts was the best Ive seen in all my 60 years. Prof. Chi-mao Li, National Taiwan College of Arts The dances were graceful, delicate, and beautiful! There was something pure and bright and also very dignified about them. This show gave me a real sense of goodness and meaning in life. Anna Liceica, Soloist, American Ballet Theatre Its very artistic, and you just feel nice watching it. Its hard to explain exactly what it is about it thats so beautiful. Marc Reese, trumpeter, Empire Brass Absolutely magical The gorgeous costumes, the gracefulness, the beautiful choreography, the beautiful music Its beauty from beginning to end. Everybody that I know who has seen it, everybody comes away with exactly the same opinion: Everybody says you have to see it to believe it. You cannot describe it in words; it must be experienced. Christine Walevska, cello virtuoso ...a highly professional, well thought out and beautifully produced presentation! This is not only entertainment, but a valuable cross-over cultural event: a strong, gracious gesture toward international understanding, in an all-too-troubled world. Donn B. Murphy, Ph.D., President, The National Theatre It amazed me The choreography is phenomenal, I think its the best show that I ever saw. The best. Even the backgrounds, the dancing, the choreography and the music, the singing ...
Jose Marti's "Our America": From National to Hemispheric Cultural Studies (New Americanists)
00:30 |
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Jose Marti's "Our America": From National to Hemispheric Cultural Studies (New Americanists) |
$25.95
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Jose Marti's "Our America": From National to Hemispheric Cultural Studies (New Americanists)
Jose Marti's "Our America": From National to Hemispheric Cultural Studies (New Americanists)
Jose Marti's "Our America": From National to Hemispheric Cultural Studies (New Americanists) Overviews Considerable attention has been given to Cuban poet, essayist, and activist José Martí’s 1891 essay “Nuestra América,” but relatively little has been paid to the rest of the journalistic work that Martí produced during his fourteen-year exile in the United States. In José Martí’s Our America, Jeffrey Belnap and Raúl Fernández present essays from Latin American, Caribbean, and U.S.-based scholars who consider Martí’s rich and underexplored body of work and position Martí as an emblem of New American studies. A Cuban exile from 1881 to 1895, Martí was a correspondent writing in New York for various Latin American newspapers. Grasping the significance of rising U.S. imperial power, he came to understand the Americas as a complex system of kindred—but not equal—national formations whose cultural and political integrity was threatened by the overbearing aggressiveness of the United States. This collection explores how in his journalistic work Martí critiques U.S. racism, imperialism, and capitalism; warns Latin America of impending U.S. geographical, cultural, and economic annexation; and calls for recognition of the diversity of America’s cultural voices. Reinforcing Martí’s hemispheric vision with essays by a wide range of scholars who investigate his analysis of the United States, his significance as a Latino outsider, and his analyses of Latin American cultural politics, this volume explores the affinities between Martí’s thought and current reexaminations of what it means to study America. José Martí’s Our America offers a new understanding of Martí’s ambiguous and problematic relation with the United States and will engage scholars and students in American, Latin American, and Latino studies as well as those interested in cultural, postcolonial, gender, and ethnic studies. Contributors. Jeffrey Belnap, Raúl Fernández, Ada Ferrer, Susan Gillman, George Lipsitz, Oscar Martí, David Noble, Donald E. Pease, Beatrice Pita, Brenda Gayle Plummer, Susana Rotker, José David Saldívar, Rosaura Sánchez, Enrico Mario Santí, Doris Sommer, Brook Thomas |
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Tuesday, 18 December 2012
Creating Germans Abroad: Cultural Policies & National Identity In Namibia
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Creating Germans Abroad: Cultural Policies & National Identity In Namibia |
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Creating Germans Abroad: Cultural Policies & National Identity In Namibia |
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